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نگریستن از میان
In such a situation, we are seeing-in multiple sense, through various acts of seeing-in demarcated as stages or frames:
A major problem for the philosophy of art on the one hand, and the philoso- phy of perception on the other, concerns the range or scope of seeing-in.
How, in perception generally and in the perception of the visual arts in particular, do seeing-as and seeing-in divide the visual field?
Perhaps one way to overcome the binocular rivalry between seeing-in and seeing as, is to consider "seeing-in seeing-in" which allows us go beyond Wollheim's conception of the visual field as an either/or situation, or as a wavering between them.
Instead, in this phenome- nology of viewing we have seeing-in or through someone else's eyes (or even the eyes of our previous acts of viewing).
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